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The Great Thing About Being A Music Fan Today Is The Plethora Of Listening Options.

The worst thing might be considered closely related: monitoring your “collection,” if we can even refer to it that anymore, considering its fractured nature as we switch between various classes of music service.

MSpot might have the answer to the “silo-ization” of our music experience…

having a first-of-its-kind service that combines an online locker to store music downloads within the cloud; a music subscription that allows stream pretty much whatever you want (with around Ten million tracks at launch and more to come); and a streaming radio service that plays artist stations.

“Instead of flipping from iTunes to Spotify to Pandora, you can find everything in one place,” said Daren Tsui. “This is all about combining three different experiences and becoming something much bigger than the amount of the parts, because the music can expand itself. The service is mobile – with PC, iOS, and other devices added, so all of your music actually is on all devices.

“We thought, let’s put together a service where consumers don’t must pay three different times,” he added. “It’s tough enough to get consumers to pay for music, but imagine paying $9.99 per month for a subscription, another $25 annually for iTunes Match, another [$36 per year] for Pandora without ads. That’s nuts.”

Tsui was cagey about how exactly much mSpot’s 3-in-1 service, currently in a “proof of concept” phase, will cost – apart from saying “essentially, you get three services without more.”

In addition to simplifying pricing, the modern mSpot (codename: Aria) will allow music fans to fill out the gaps caused by artists like the Beatles refusing to license their music to streaming services for example Spotify. In those cases, fans could possibly get that music from iTunes, Amazon, or another sources of downloads, and incorporate it to their music service themselves, simply by uploading it to their mSpot locker.

“There are nevertheless quite a few artists that have elected never to participate in a subscription services, so that you can’t get their songs on, say, Spotify,” said Tsui. “And now their are new artists that don’t need to put their albums up. In those scenarios, you can’t have a cloud experience. With a locker, you can absolutely do that. Also, I’m fairly into music, and have a few DJ friends who put together 30-minute, hour-long mixes. I love them. They’re not really available [from subscription services] because they’re not license-able. Because scenario, the cloud locker works very, well.”

In addition, the 3-in-1 nature of mSpot’s upcoming service allows each plan to inform the others, unlike using three separate companies for the a locker, subscription, and radio.

“Regardless of where you’re playing your music, whether it’s from your locker, from the subscription, or from your radio, we know,” said Tsui. “And then when we recommend songs, it’s going to be relevant to your taste… Let’s say I’m playing a Lady Gaga song from my locker… there’s somewhat lightbulb icon which means discovery and recommendation. You click on that, and it takes the song that you’re currently playing and it will recommend other artists from your ten-million-song catalog. Another category will recommend various internet radio stations.”

For starters, mSpot plans to roll out this proof of concept for trial testing. In the event it does become available to the general public, it will include a free trial and run on Android and the web. Tsui told Evolver.fm this is because mSpot wants to “go where there’s maximum pain” for the consumer, but that iOS and other platforms will follow shortly after that. To draw mainstream consumers, mSpot hopes to partner with wireless carriers and/or device manufacturers to offer a co-branded or white-label version of the service.

Granted, mSpot lacks the mirroring feature that enables Apple iCloud to zap songs onto its servers based on metadata instead of transferring the specific files themselves. But once you will get the bulk of your collection uploaded into its system, keeping that collection updated is reasonably simple. And the simplicity of utilizing one app for a locker, subscription, and radio does sound simpler than using every sort in an isolated fashion.

“The question of ‘rent’ versus ‘buy’ disappears altogether,” added Tsui. “They now coexist. If you’re using one app as opposed to three, it is easier to buy music because you know where to find it. Purchases always reside in the music app, on all devices.”

Up to now, mSpot counts over two million downloads of their iPhone and Android apps – and that’s simply for the 2-in-1 music locker plus radio feature. Now that it plans to add a subscription compared to that mix, it should become far more potent, writes tagza.

In An Era Where Every Revolution Has A Hashtag, We Must Remind Ourselves That Community Radio Is A Huge Forum For Collective Dialogue For Longer Than 100 Years.

A diverse World Radio Day panel gathered inside London last month to demonstrate that, if anything, radio is growing in importance. Discussions about radio will be more relevant than ever because innovations are rejuvenating radio programming, particularly in opening up channels for participation. Technology to spark this transformation need not be on the cutting edge either; it’s only as exciting to realize how internet radio stations around the globe are employing existing tools in new and ingenious ways.

Sixty-five percent of the world’s population is not online, based on an ITU report. But folks are demonstrating that they need not provide an Internet connection to have a voice inside the discussions that affect them. Using mobile phones, audiences are increasingly in a position to contribute opinions to discussions or news tip-offs for reporters, making radio programming responsive, relevant and appropriate.

This reinvention of radio sparks recognition of the fundamental importance listeners place on radio as a participatory and localized platform. While voice calls bring richness to your show, the number of contributors is fixed by time. SMS, alternatively, has almost no limit, allowing space for engagement which represents more people. Crucially, incorporating SMS feedback allows radio to reflect local debate and concerns.
TWO-WAY DIALOGUE

Within an era where every revolution includes a hashtag, we must remind ourselves that community radio has been a forum for collective dialogue in excess of 100 years. By a generous estimate, Twitter has 500 million users. Juxtapose this while using 6 billion active mobile subscriptions and 95 % of people who have access to the radio.

Radio is very important for those who aren’t online or able to find a newspaper delivered. Radio requires minimal electricity (a negligible amount which has a windup or solar radio) and tuning in is free. Applications using SMS with radio — a couple of the world’s most used platforms — is proving that mobile technologies have the power to create new possibilities by transforming radio from a one-way broadcast to a two-way dialogue with listeners.

FrontlineSMS’s free, open-source software, which assists with the management of text messages without demand for Internet, is being used in radio contexts in additional than 80 countries.

FrontlineSMS:Radio is a tailored version of the software developed with this thought. The tools we’ve built are made to assist with the analysis of aggregating of word data so that DJs can relay opinions to audiences while continue to exist air. We now have 20 stations across Africa taking part in the trial, and one ones has received 16,000 messages in just three months. The large regional, cultural and economic variation in platform adoption is why at FrontlineSMS we’re focusing on the ways that traditional platforms can be used to complement each other.

At the World Radio Day panel inside London, speakers stressed the importance of the decentralization of radio: a need to ensure that ownership of programming is in the hands of communities. The penetration of mobile coupled with innovative applications of FrontlineSMS allow radio managers to incorporate audience feedback and lean on listeners’ insights to shape audio content.

Another theme identified on World Radio Day was that for many, radio is the most trusted information source — second and then word of mouth — and this is based on the private connections people feel with radio presenters by getting together with them. As communities are able to determine topics up for discussion, these can lead to actions that dramatically change lives. The change in relationship between the air and their communities is fostering an evolution in even traditional (or institutional) broadcast environments. It is this need for local dialogue which underlies the motivation of FrontlineSMS to aid radio stations that engage with listeners.

It is great that radio gets some day a year to enter into a global conversation. But also for me, it’s important these discussions happen more often to build momentum in people interested in sharing and innovating around the radio — in particular, how to make radio interactive and preserve space for locally appropriate discussions to thrive. Neither video nor social media marketing have killed the radio star. In fact in many places — when coupled with SMS — locally representative radio has taken central stage, writes tagza.

World of Warcraft – We Will Rock You (Music Video)

WWW.ORIGOFILMS.COM [DAGGER FILMS is now ORIGO FILMS] Video made in World of Warcraft by Telemora of Shadowsong. Special thanks to Lycantis!

That’s the World of Warcraft That You Play!

The MP3 of this song can be found here: www.beckmanmovieproductions.com Right click, Save Link As OR Save Target As. This song and video I made was an entry for the Xfire Summer Movie Contest and placed third in the Dance/Music Category. This parody of Weird Al Yankovic’s “Your Horoscope for Today” takes his entertaining lyrics and changes them into a parody of World of Warcraft. For more videos, visit my website at www.beckmanmovieproductions.com